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Rebecca Pedrazzi — art critic and AI Art curator
Art and Artificial Intelligence
[01]art historian and critic — AI Art[02]independent curator[03]journalist — editor-in-chief of NotiziArte.com[04]lecturer at IED · Milan

About
Rebecca Pedrazzi is an art historian, critic, curator and journalist specialising in the intersection of art and artificial intelligence.
Her curatorial work and research focus on the languages of AI Art and on the relationship between aesthetics, technology and society. Founder and editor-in-chief of NotiziArte.com, she is the author of Futuri possibili (Jaca Book, 2021) and, with Chiara Canali, L’opera d’arte nell’epoca dell’Intelligenza Artificiale (Jaca Book, 2024). At the 61st International Art Exhibition – La Biennale di Venezia she curated Jacopo Di Cera’s installation Ciclica for the National Pavilion of Sierra Leone.
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Highlights
61st International Art Exhibition · 2026
Ciclica by Jacopo Di Cera
Multimedia installation curated for the National Pavilion of Sierra Leone, La Biennale di Venezia.
Curation · May 2026
Invisible Matter
Nahuales, Spirits and Augmented Presences. Works by Giuliana Cuneaz, curated by Serena Tabacchi and Rebecca Pedrazzi. Rifugio Digitale, Florence.
Books & writing
Two books with Jaca Book, a chapter in Professione «Digital Art Curator» (Jaca Book, 2026), the column AI Horizons for Artuu Magazine and more than 3,500 articles on NotiziArte.com.


Talks & teaching
She teaches Phenomenology of Contemporary Arts at the Istituto Europeo di Design – IED and gives masterclasses for Treccani Accademia, Gallerie d’Italia, ICOM and the University of Pavia.
- Next Gen AI Summit – Italian Ministry of Education and Merit, Villa Erba, Cernobbio (October 2026)
- Beyond Codes – Accademia di Belle Arti di Carrara (April 2026)
- Intesa Sanpaolo and Talent Garden masterclass – Gallerie d’Italia, Milan (December 2025)
- AI Festival – Bocconi University, Milan (March 2025)
Featured in
Artribune · Inside Art · il Resto del Carlino · Il Giorno · Segnonline · Artuu
“Art does not reproduce the visible; rather, it makes visible.”
Paul Klee
Get in touch
For an exhibition, a talk, a critical essay, a course or an interview on art and artificial intelligence.